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Canku Ota |
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(Many Paths) |
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An Online Newsletter Celebrating Native America |
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May 17, 2003 - Issue 87 |
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Litefoot |
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Litefoot made his major motion
picture debut in July of 1995 as the star of the Paramount/Columbia film
entitled, "The Indian in the Cupboard." This Internationally
acclaimed film earned him his first "Best Actor" award from
First Americans in the Arts. It was also at this time that he established
his third business venture, Litefoot Entertainment handling all theatrical
performances and film productions. In April of 1996 Litefoot toured
Indian Country performing numerous concerts in the United States and Canada
and finished his second starring role as "Hiawatha" in the Canadian
Showtime release, "The Song Of Hiawatha." In July of 1996 he
released the album "Good Day To Die," which received international
exposure and among fans became his most popular CD. At the end of October, Litefoot
completed filming his third motion picture for Universal Pictures in Europe
entitled, "Kull, The Conqueror" with Kevin Sorbo and Tia Carrere.
This allowed him to be present in San Francisco, California on November
9th to accept his second "Best Actor" award from the the American
Indian Film Institute for his role in, "The Song of Hiawatha."
In December, Litefoot closed a very busy year by recording national television
and radio commercials as part of his new position as spokesperson for
Job Corps. Litefoot kept busy in 1997 by starting
off the year in Thailand filming his fourth motion picture , a New Line
Cinema release, "Mortal Kombat, Annihilation." Once filming
was complete Litefoot returned to record four new albums for artists on
Red Vinyl Records and started a rigorous schedule of concert touring which
included filming his first "Live Concert Video" in Oklahoma
with a crowd of over 10,000. Litefoot spent the end of 1997 touring and
recording songs in Los Angeles for his own upcoming projects.
In 1999, Litefoot released four
of his own albums including "Rez Affiliated", two Native rap
compilations and received his second Native American Music Award for "Rap
Artist Of The Year." In 2000, Litefoot toured to over
forty-five Native Communities, starred alongside Richard Harris in the
feature film, "The Pearl" and won his third Native American
Music Award. Litefoot began 2001 with the release
of his eighth CD, "Tribal Boogie," starred in "Adaptation"
with Nicholas Cage and Meryl Streep, Twenty -Nine Palms with Chris O'Donnell
and Rachel Leigh Cook and guest starred on the television shows, "Family
Law" and "Any Day Now." Litefoot began 2002 with the release of his ninth CD, "The Messenger" and a new year long fifty-five city tour filmed as a documentary chronicling his travels throughout the United States and Canada motivating and empowering Native people.
After Def Jam Records artist Ludacris completed performing, Litefoot was introduced by author and hip hop Photographer Ernie Pannicioli (Cree). Litefoot took the stage dressed in full Grass dance regalia alongside two Northern traditional dancers and three Aztec dancers who all danced together to a song by Eyabay. The crowd was in awe from the start as they witnessed the blending of traditional dance and Litefootís brand of Hip Hop. Litefoot was joined on stage by tour sidekicks Bear and Koz, New York City DJ, J Smoke and the world renowned break dance group, The Rock Steady Crew. Rock Steady leader Pop Master Fabel excited the crowd with popping, locking and spectacular floor work while Litefoot rapped songs from his four Native American Music Award winning albums and his brand new release "Native American Me" Litefoot performed for more than twenty minutes and managed to deliver a message of empowerment to the crowd in the process. After Litefoot performed, Busta Rhymes took to the stage to close the evenings festivities with a 30 minute performance. Litefoot said that he, "savored the evening because it took me12 years to get on that stage tonight. Most important to me was that we presented the traditional aspect of who we are first and then my music. It's the most important thing to me to never forget, no matter how big I get, to always be humble to my culture and to our ancestors. Tonight everyone in the coliseum felt that power." |
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| Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. Section 107. | ||
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Canku Ota is a copyright © 2000, 2001, 2002, 2003 of Vicki Lockard and Paul Barry. |
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The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the |
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Copyright © 1999, 2000, 2001, 2002, 2003 of Paul C. Barry. |
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All Rights Reserved. |
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